![]() ![]() The single “Sick Bubble-Gum” attempts to be a mf-bomb-dropping latter-day “Dragula,” but it’s not the album’s best moment, as it settles too deeply into its tight-grooved rut to generate enough propulsion. His amped-up, industrial, B-movie rave-ups offer chunky, childish frills as they race their V8 roar from “Virgin Witch” to “Werewolf Women of the SS.” If the formula’s predictable, it still packs a punch, even as the energy flags noticeably during the album’s last half. That said, Zombie stays consistent in his role as psychobilly’s Marilyn Manson. ![]() Sequels are generally inferior to the original, and it’s no exception with Rob Zombie’s follow-up - a dozen years and two albums later - to his breakthrough solo disc. ![]()
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